author: Nicole J. LeBoeuf

So I did spend a little time the other day looking at the notes from last year's novel brainstorming session. Got kind of excited about it all over again, like, yes, this is going to be a novel worth writing, and spending time with these characters will be keen, but I didn't have any sudden breakthroughs. I mean, it would have been very nice to reread the notes and suddenly go, "Oh! That's how the novel ends. I see it all now! Must write the first draft NOW!" But no.

I also haven't managed to get back to it since that night. Which isn't very good for maintaining that excitement level. Mainly I've just been plugging away as best as my schedule and energy levels will allow. Mostly not having any crash-and-waste-the-day days, but still haven't reached the sort of daily productivity level I'm looking for.

Meanwhile, the goddamn insomnia is back. Not getting sleep isn't helping, body, please do a thing that is helping, pretty please.

On a different note, there is something very satisfying about getting together with fifteen or so of your best roller derby buddies to reposition the floor tiles and lay down a fresh track. Then, when you get there for Tuesday practice, you get to look at it and skate on it and think, "We did that. Go us!" Very tiring work, especially when the day previous you skated in two very competitive bouts, but very satisfying nevertheless.

OK, I'm off to try to make myself very tired.

About the same today: Got the daily stuff in--did my freewriting, finished drafting this week's Fictionette release, and typed a page against the Fictionette artifact backlog. Then I had to leave for errands in Longmont en route to the usual Thursday scrimmage. But maybe, maybe, if I am very good, and if I do it in an idle sort of low-energy way that is compatible with the post-derby portion of the evening, I might manage to spend a half hour or so on the novel I started brainstorming last year. I might not actually write any of it--I might spend that half hour simply reading all my notes from last November and maybe adding to them--but it is nevertheless an exciting prospect.

To make that more possible, I'm doing the blog post now rather than later. Hi!

Greens in the fridge notwithstanding, I am enjoying a bowl of pho at Pho Huong Viet. They have become my pre-bout ritual, only I missed out on Saturday what with that whole "oops, I left my shoes at the Fairgrounds and now the building's locked and it turns out the people at the restaurant would really rather I didn't skate on their nice wood floor" thing. I mean, they did let me order spring rolls to go, but it just wasn't the same. So I'm making up for it today.

I made up for a different oversight by calling Dad. My parents have the same wedding anniversary date that me and John do, so generally it's easy to remember to call. But this year, what with our frantic roller derby schedule, we barely remembered our own anniversary. So I called today.

It was weird, though. I had this awful feeling that wishing Dad a happy anniversary would not actually be kind. Like it was more likely to add insult to injury. I mean, if Dad was widowed, there'd be no question; the anniversary of the start of a fantastic marriage is no less something to be celebrated just because death did you part. But it feels wrong somehow when Mom is still around in body but entirely gone in her mind. The marriage continues but one of its participants has changed beyond recognition (and does not herself recognize most of the people closest to her in her life). Are we celebrating? Are we in any position to celebrate? Was the 20th, in fact, a happy day, or was it just an occasion for the calendar to stick a knife in Dad's ribs and twist it?

Dementia sucks and makes everything awkward.

But I called, and I said happy anniversary, and Dad kind of laughed and returned the good wishes, and we took the rest of the phone call as just another opportunity to catch up on the last few weeks. I told him about the most recent bouts; he took the news about his daughter getting a black eye in stride ("So you scored points, and you got a badge of honor. Nothing wrong with that!"). He told me about how his day's been going. Things were OK.

He put Mom on the phone. Mom said hello and that she hoped everything was going well for me, and then, this having used up her scant verbal reserves, she handed back the phone.

"Well, that didn't go so well," Dad said.

"I dunno," said I, "she put words together to form sentences. That's a thing."

So. I guess the moral of the story is, however awkward the conversation, it's never actually wrong to call. Well, rarely, anyway.

Hullo the blog. Not much to report. Continuing to plug along at my daily tasks and inch through the overdue ones. Also there are household things and the everpresent specter of roller derby, so each day winds up having less time in it than I think. Still haven't managed to get to the exciting things like "and work on that novel you started brainstorming last year!" or "get a new short story ready for submission!" But that will come. Meanwhile, I am showing up every day and putting in a solid session, and I am no longer actively falling behind in anything.

The linden tree out back started blooming about a day after I complained that it hadn't. So that's nice. The fragrance was particularly delightful late last night.

I am sporting my very first derby-related black eye! It's awesome. One of the staff at Murphy's last night, where we often go for post-practice dinner and drinks, asked me if I gave as good as I got. I had to admit that I had, yes, by definition, seeing has how I had given it to myself in the first place. Remember about the inadvisability of playing offense with your face? Yeah, well, same goes for jamming. Also I need to get better at my hockey stops so I have other options when approaching a pack at speed other than "success!" and "panic, fall over, go boom."

In other news, it's CSA season and my fridge is full of greens. I keep thinking, "I've been good, I've worked hard, I should treat myself to five spice wok chicken at Jin Chan," and then I don't go, because my fridge is full of greens. I have been coming up with all the ways to eat them. There's sauteeed mizuna to keep my leftover kung pao chicken from getting lonely, there's finely shredded kale mixed in with shredded potatoes and scrambled eggs for a sort of hash brown/omelet/egg-fu-yung/potato-pancake hybrid breakfast (don't forget the apple sauce), there's stewed chard in a pot of approximate dal, there's anything leafy at all in my sausage-mac-and-cheese (featuring more cheddar brats from my teammate's farm), there's sprouts on my fake-bacon-and-cheese sandwich, and then there's straight-up salad.

WHAT MAGNESIUM DEFICIENCY I AM EATING ALL THE THINGS WITH MAGNESIUM IN THEM.

(The foot does seem to be cramping less during practice... but that could just be the results of, y'know, practice.)

So. Like I said, not much to report. Just stuff. More stuff tomorrow if we're lucky.

I would like to get to the point where I am no longer patting myself on my back just for getting the day's work done. I feel like "puts in the hours writing" is a bare minimum to call myself a writer, much as "has four wheels and an engine" is the bare minimum for calling something a car. But years of painful experience tells me that it's not a given, so: Today was a good day. I put in the hours writing. This week is off to a good start.

I can tell you this about procrastination: It's not fun. Knowing that I've got a writing task to get to, and yet doing anything other than starting on that task, is a weird sort of self-administered torture that makes absolutely no sense at all. So there was a sense of relief today when, rather than doing the avoidance dance for hours on end, I just said to myself, Enough of this crap, clocked in on my timesheet, and got to work on the next task.

By contrast, my four-hour Puzzle Pirates session at the Rayback on Saturday was blissful because I had done my Friday work and had no reason to feel guilty. I had earned my self-indulgence.

It's really, really silly how much it's in my own power to reduce my own stress and increase my own happiness, and how nevertheless I so often don't take the steps to do it.

Speaking of steps (she segued masterfully), I did a lot of walking today. Mondays I take the Volt on my various errands and charge it, which means a lot of walking between whatever charging station I use and whatever errands I have. Today's errands were: 1. While charging the car at the Village on the Peaks station, my weekly Cafe of Life appointment, lunch at Leenie's Cafe (oyster remoulade omelet, grits, biscuit, and coffee while accomplishing some of the aforementioned writing tasks), and groceries; 2. while using the plug that a small business owner in Gunbarrel very kindly makes available to the public via plugshare.com, New Recruit Night at Finkel & Garf. (There will be another on Wedensday at Left Hand Brewing, so if you missed it tonight and you're interested in learning more about roller derby in Boulder County, put that on your calendar.) My knee appears to be all better, or if not all better then as close as makes no nevermind; it got tight and sore from all the walking more quickly than the other knee did, but no more than that. I think I'm in good shape for tomorrow's practice.

I passed linden trees in Longmont that were already in bloom and smelling gorgeously sweet. Not sure why the ones at home aren't blooming yet, but it can't be long now. The two or three weeks of high summer when that scent is constantly wafting in our bedroom window are glorious.

Mwahahahahaha--BEHOLD! The Friday Fictionette for June 16, released on June 16. BWAHAHAHAHA! Ha-ha. *ahem* It has been a good week. And so I present to you "CAN'T STOP WON'T STOP" (ebook, audiobook) which is another of those tiresome self-indulgent magic realism numbers wherein the author subverts a physical law in order to say something meaningful and symbolic about the human condition. JUST KIDDING. It's a weird little flash piece about a day when all the off-switches for everything electronic stops working. (Which is kind of the same thing, depending on how you feel about weird little magic realism numbers.)

Thanks to the weave and dodge strategy, I wound up this morning looking at about 1500 words of disjointed pieces of story, all auditioning to be part of the fictionette. It was surprisingly simple to remove the bits that didn't fit and smooth the remaining pieces together into a single work. So. Note to self: this works.

(There is still no Mongo. There is still no cheese.)

And I have a lovely weekend ahead of me, with an unscheduled Saturday (omg!) and a holiday Sunday off from derby. I know, I know, Tuesday's blog post I was all MOAR SKATING PLS. Well, after four hours on Tuesday, a couple hours on Wednesday, and Thursday's double scrimmage which managed somehow to tweak my left knee, I'm oddly OK with taking this Sunday off. Don't nobody panic--it's not comparable with January's grade 2 MCL tear. If it's comparable at all, the comparison is with that injury after four or five weeks of recovery, OK? I'm walking fine. I'm not in significant pain. I'm just stiff and sore and a smidge swollen, that's all. It's responding nicely to a regimen of ice and ibuprofen and some of range-of-mobility exercises from my past PT repertoire. But I'm sure it will appreciate a little extra time off skates before diving back into travel team practice in preparation for that big Bombshells vs. Crossroads bout on the 24th.

(Sunday plans involve dinner-anna-movie and quiet acknowledgment that, gosh, John and I will have been married for 19 years come Tuesday. How about that.)

Aside from "set unreasonable expectations for oneself," there's that other reason for collapsing on Wednesdays: Tuesday night roller derby practice. Oh yeah. Bodies that get beat up and worn out by night tend to not want to get out of bed the next morning. And this body got beat up and worn out for four hours last night.

(I have a new joke. It's in the style of the Animaniac's short Good Idea, Bad Idea. It goes like this: "GOOD IDEA: Playing offense on the brace. BAD IDEA: Playing offense with your face." The point of this joke is to explain why my chin is all sorts of sore and tender today. Do not introduce your chin with force to someone else's shoulder. Nothing good ensues. Other than inspiration for stupid jokes, that is.)

Well, guess what? Want to or not, the body got its ass out of bed and got to work. That's right. Still didn't get as much done today as I'd like, what with it being Wednesday and there being Wednesday things to do, but work did get done. So that's the report.

(One of the Wednesday things for my body to do was yoga and more roller derby. It occurs to me that one thing last year's absurd dual-team schedule did for me was raise my tolerance for physical activity. Maybe if I voluntarily take on extra practices every week, I'll collapse less readily on the mornings after. It's a hypothesis.)

Anyway. Writing!

I did my daily session today of working on this week's Friday Fictionette release, just like I'm s'pposed to. (That's two days in a row! Go me!) Assuming everything goes according to schedule, Wednesday is about the time when I panic. I've got this hot mess of a freewriting exercise from sometime last month and I'm supposed to turn it into a vaguely presentable thousand-word story-like object. If by Wednesday I still don't know how to do that, things begin to look grim. This is one of the reason we experience Fictionette Delay.

To avoid Fictionette Delay, and to also make other fiction-drafting exercises more enjoyable and less stressful, I have begun employing a strategy I call weave and dodge. It is very simple. It goes like this: If I get stuck on something--can't come up with a way to explain a bit of worldbuilding smoothly, can't think of the right words for a character to say, can't figure out exactly how to fill a plot hole, whatever--I dodge around it. Instead of spending the next half hour writing one sentence and erasing it and writing it again, I just pretend it's already written and keep going. Maybe I put in a bracketed comment, like "[the perfect paragraph explaining how Mongo got hold of the cheese in the first place goes here]" to remind myself that the paragraph still needs writing. But the main thing is, keep going. Keep going so as not to waste time (in theory I'm only putting 25 minutes of each day toward the Friday Fictionettes project). Keep going and I might just find out how to write that perfect paragraph or segue or bit of dialogue. Keep going and I might discover I don't need to write that perfect paragraph/segue/dialogue after all, because that's just not part of the story anymore. Keep going! Dodge and weave! Weave and dodge!

By the way, there is no Mongo, and no cheese to do with Mongo, in any of my stories, fictionette or otherwise. I have no idea how Mongo got hold of the cheese. Besides, Mongo is deathly allergic to all dairy products. Why should Mongo have cheese at all? If you know what's up with Mongo and the cheese, by all means, write that story. Go for it.

So... the rest of the week has not been as pleasing. Seems like, I get one gloriously productive and disciplined day, and that's it for the rest of the week. Like, it took the whole week's worth of oomph to produce a day like Tuesday. Or it takes enough oomph that my resilience is significantly weakened for the rest of the week, and small emotional set-backs (which we will not discuss here), and of course the minor blunt-trauma damage incurred on a regular basis via my chosen hobby of roller derby, have disproportionate effects.

It's not so much that I'm whining, or making excuses, or even doing the "poor poor pitiful me" dance. It's more sort of self-observation. I'm collecting data. I am forming hypotheses and floating strategies. Right now, the next strategy to be tested is that of being especially on my guard, on the morning after a very good day, against the impulse to revert to bad habits, as that impulse will be very, very strong.

Anyway, today went entirely to waste, which means another weekend release of a Friday Fictionette. Which will be difficult, considering it's also a bout weekend. But then it's also, theoretically, a writing group weekend, which means dedicated time to write on Sunday afternoon at the very least. So.

I can pin today's wastage on two things.

One: A hard fall tangled up with another skater last night (no real injuries for either of us, thankfully!) resulted in two deep wheel-shaped bruises across my back which make themselves known pretty much every time I change position. Thankfully, I'm not whimpering involuntarily today like I was last night after cessation of activity allowed stiffness to set in. But there was definitely an incentive to spend as much of the day horizontal as possible. The other skater is probably suffering a bit today, too, and she probably didn't have the option to spend extra time horizontal, what with work and all, so, I salute her.

Two: I got past the tipping point in Ada Palmer's Hugo-finalist novel, Too Like the Lightning, and pretty much couldn't put it down all day.

The tipping point was pretty early. I wasn't expecting that. I've read some online discussion of it that amounted to "I'm struggling here. Can anyone give me a reason to continue? Does it start to pull together? Does it start to look like it has a point?" But I can honestly say I do not know what they were complaining about. This book pretty much had me from five chapters in. I could see early on that all the disparate threads were going to be connected, but I couldn't see how, and I couldn't wait to find out.

I suppose the huge cast of characters, some of whom with multiple names depending on who's addressing or referring to them and in what language, might cause some readers difficulty, as might the persona of the narrator and his stilted language. And one of the initial plot hooks--the mystery side of the plot, I guess you could say--turns on a bit of intrigue that was hard for me to understand as intrigue (the whole "seven-ten list" thing), but I treated that as I do any bit of SFF worldbuilding: I kept reading in the certain faith that I'd come to understand with time and pages turned. And ideed, as time went on and pages were turned, I did.

I've also read angry complaints that the book ends with no resolution whatsoever, the story simply cutting off at the last chapter with a note that it will be continued in the book Seven Surrenders. And... yes? That is a thing you get, with book series? That the story is not over when the first book is over? I think the complaints mostly came from readers who assumed it would be a stand-alone novel, and were disappointed when they found out otherwise. Some readers in that category were also in the first category--readers who found the novel difficult to want to continue reading--and they felt their hard effort betrayed. I knew going in that the book was the first of at least two, and I enjoyed reading it, so my reaction was pretty much "I can't wait to read the next book! Is it out yet?"

(It is. And the third book, The Will to Battle, has a release date of December 5 of this year.)

I think I'm more OK with cliffhangers than not, anyway. Robin McKinley's Pegasus took me completely by surprise when it ended on a cliffhanger, which left me anxious for the fate of the protagonists but not in any way angry. I know people who were furious at McKinley over that cliffhanger, and they've only grown more angry as the years pass without the release of a sequel. They resent every blog post she writes and every non-Pegasus-sequel she releases. They feel betrayed, as though the very existence of the book were a promise which the author was failing to fulfill.

Speaking of authors whose fans accuse them of spending too much time blogging and not enough time writing the things they want to read, I recall a friend recommending me George R. R. Martin's Game of Thrones series, back when there were only four books released yet, with the explicit caveat that "It's not finished yet, so you may want to wait to start it until it is. I mean, given how long he's taking finishing it, there's always a chance he might die first and then you'd have read the first four books for nothing." For nothing! As though four books of great story are nothing if there isn't a THE END on the last page of the last available volume! This particular example isn't entirely apt, because I have no intention of ever reading that series. By all accounts, is not the sort of thing I like to read. But if it were, I would read it, and I would spend the time waiting for the next book reading other things. And probably rereading the existing books from time to time, if they were a pleasure to read in the first place. (I reread Pegasus about once a year.) And if the next book never came out, that would be sad, but the existing books would remain an overall plus in the world.

Anyway, there is definitely a contingent out there for whom an unfinished story is, or can be depending on the circumstances, a source of intense frustration. I just don't belong to it.

Too Like the Lightning is an intensely ambitious book. That rates highly with me in terms of my Hugo ballot, more so than the question of whether the book succeeds at its ambitious aims. And does it? I'd say... maybe? Sort of? I'm honestly not sure. She's created a far future that models itself off of our past and is in constant conversation with our most revered philosophers; it is at times difficult to follow because of that, and because I'm not by any means a student of those philosophers. But I'm fascinated by the juxtapositions and moved to seek out the books of philosophy that Palmer references. So on that account, it works for me, if only just barely. And certainly the narrator can be an irritating jerk to hang out with, what with his smug asides to the reader ("Do I offend you? Are you surprised? Have you forgotten?") and his dogged insistence on misgendering other characters based on his peculiar and baroque ideas about gendered traits consonant neither with our worst stereotypes, nor those of his contemporaries, nor even with those of the fictional people he imagines reading his tale in his own far future. And of course we know from the start that he's a criminal, whose crimes we must expect will turn out to be much more horrifying than any we can imagine, so we're predisposed not to like him. And yet the problems he faces still make him somewhat relatable--what would we do, in his place? How would we respond? He is capable of acts of love and kindness that should not go unrewarded, and is daily subject to mistreatment which is unjust and ought not to go unpunished. So if one of the author's aims was to create an unreliable narrator who is both guilty of horrific crimes and petty bigotries and is yet more sympathetic than not, I think she's succeeded.

But more important than any of the showy features mentioned above, I think, is the theme which emerges through the course of the book: Is there anything or anyone you value, which you would do anything to save? Really, anything? And what would that mean? This book is not unique in centering around that difficult question, but it approaches it more honestly than many books I've read do. The author seems much less interested in instructing the reader in how to answer that question, and more in exploring how different characters react when the question is put to them. No possible answer is painless, or without sacrifice, and the story arises out of what each character is willing to sacrifice for the preservation of what they hold most dear.

Too Like the Lightning currently holds the top position on my Hugo Award for Best Novel ballot. I haven't finished reading all the finalists, so that may change. But it would take at the very least an equally ambitious book to dislodge it from my personal #1 slot.

I think I'm finally getting back into the everyday swing of things. Got up on time, did my daily writing deeds, dynamited huge chunks out of Mt. Overdue, uploaded the Wednesday volunteer reading recording on time, and went to an optional derby practice because why not.

Then I came home and ate yummy crock-pot shepherd's pie. Look, it was yummy. I had half the potatoes I was supposed to and no carrots, and I cooked it too long so that it came out looking sort of all-over brown in every part and that includes the peas, but it was yummy. Then again, I'm easy to please. It's full of meat and potatoes and mushrooms and onions and tomato paste and beef broth. I'm not likely going to complain. Besides, it was after derby. After derby, you can put a plate of pretty much anything in front of me and, five minutes later, the plate will be sparkling clean and I will say, "Thank you, that hit the spot. By the way, what was it?" So. Don't take my word for it, is what I'm saying.

So it was good day. Still didn't get everything I wanted done, but getting up on time helped me come mighty close. I would love to say that I leapt out of bed like a young Ray Bradbury who's so overcome with eagerness to write that I just! Can't! Stay in bed any longer!!! That's how he describes himself in Zen in the Art of Writing, anyway. I always envied him that. For years I felt like a fraud because I couldn't describe my mornings that way. What saved my self-esteem was becoming cynical enough in my old age to begin to doubt his self-reportage.

Anyway, no, though the prospect of writing (or, rather, getting all the writing done) was what kept me going all day, it was not what got me out of bed in the first place. No. That honor goes to the frickin' weekly extreme jigsaw sudoku.

Heaven help me, I've fallen off the wagon and landed face-first in my old addiction to that website's sudoku competitions. There's a new batch of puzzles every day and a midnight deadline to submit the solution and that, skaters and gentlefen, is all it takes to turn a casual passtime for me into an obsession. MUST INCREASE MY WINNING STREAK TO 350.

But it doesn't just push my gamer-acquisition-achievement button. It also pushes my mechanical obsession button. See, I made myself this .xcf document (like .psd only for the Gimp rather than Photoshop) with a layer group containing all the different jigsaw shapes, a layer group where I put screenshots of all the puzzles for the coming week, a text layer with the exact leading and kerning needed to put the digits right in the screenshot cells--and because it's a text layer, I can select-all, copy, and paste my solution directly into the website's submission form--and, most importantly, there's a huge library of paths which make selecting all the 2s in Box 3, Row G and Column 8 a matter of five keystrokes and a couple mouse-clicks. It is very, very clever and it is terribly satisfying to use and OK, I need to get out more. Granted. But I'll give you a copy if you want.

Last night, just before going to sleep, I was reading solving strategy articles, trying yet again to understand the point of X-Wings. I never quite understood before. I mean, what could they do that double box/line reduction and double pointing pairs couldn't? But this time around it finally clicked (Oh! It has nothing to do with boxes! It's purely about the columns and rows! I get it now) so I Alt-Tabbed over to the puzzle I was working on to test my comprehension. And, wouldn't you know, I spotted one. For the first time ever, I spotted a goddamned X-Wing in the wild while there were still candidates for it to clear.

It was very late at night. I was pleasantly drowsy and tightly swaddled in the blankets. I decided that, having spotted my X-Wing (on the 6s in rows G and H and columns 3 and 8), I'd process its candidate removal in the morning.

So although I'm vaguely embarrassed to admit it, it's dog's honest truth: It was the thought of finally getting to remove sudoku candidates by the X-Wing strategy for the first time that got me bounding out of bed on time.

Ray Bradbury would be ashamed of me. But I don't have to care.

It's catch-up day! The Friday Fictionette for April 21 is out at last, rejoicing in the title "In Your Lifetime" (Patron only links to ebook and audiobook; links for everybody to excerpt on Wattpad). It's a coming-of-age story--well, it's a coming-of-age scene, anyway--in which the legendary monsters are just the regular schmucks of the world, and the humans are the legendary monsters. One human, anyway. Nobody likes that guy. He's a jerk.

Meanwhile, the Fictionette Artifacts for January will hit the mail tomorrow. Finally. I have at last got to a point where I can just chip at that backlog bit by bit every day until we're all caught up, just in time to send out the Fictionette Artifacts for April. I'm using a delightfully parchment-like gray stationery for January, which was a great idea right up until I realized that the correction tape on my brand-new typewriter ribbon is white. Thankfully it's not quite as tacky-looking as I feared. (The surprise inside is not paid product placement, I swear. I'm just that excited to have fresh supplies of brand-new typewriter ribbon.)

I've logged all the submission acknowledgments and responses that were pending for pretty much a whole month. This puts me at the uncomfortable status of Slush Zero--I got nothing out on market at this time. But that's OK! Because today was a successful catch-up day, the rest of the week can be oriented more toward going forward. For instance: My writing group came through with some great feedback on "Caroline's Wake" that I think pinpointed where I was inadvertently diluting the characters' stakes, and I know how to fix it. Well, I've identified a fix I'm definitely implementing, anyway. On rereading it I may find other places to fine-tune things based on Sunday's discussion. I am utterly jazzed to get this done and send the story out all hopeful to its next date with fate!

I continue to experience angst over why this timesheet-and-checkbox thing isn't actually working. But today I have Taken Action. A small action. Small corrections are sometimes the best correction, in life as in roller derby. ANYWAY, I changed out the timesheet template to make it more generic, with a First Session given over to the gotta-dos and a Second Session for fiction and submissions. And I've got this idea that if I create tomorrow's template tonight, filling it out with tomorrow's task list before I go to bed, I'll be more likely to wake up on time ready and eager to Do All The Things. The key is in having those Things clearly identified. If I wake up feeling like the day is full of a Vague Yet Menacing Too-Muchness of Things, I'm liable to panic and flee back into the safety of REM sleep. And we can't be having with that, because...

That's it! No more trying to get stuff done after derby, not even "just a little bit." Come 6:00 PM, the work day is over. I want to come home from practice with nothing to do but relax, play, and put myself to bed in good order. Suiting thought to deed, or deed to thought, whichever order one says that in--I lined today up such that even my blogging would happen before practice tonight. And lo, it was done, it is being done, and it is good. It will be good. It'll be so good tonight around 10:00 PM. We are talking beer and post-derby dinner and self-indulgent soak in the tub and probably a couple hours of Puzzle Pirates. Yes, all at once. What do you think wireless keyboards and mice are for?

So apparently Chuck Wendig and I have something in common, and that's a birthday in the back end of April. (Also we're both writers, but I would like to stop the comparison there before it becomes too depressing. I mean, what have I published in the last 5 years, right? NOT 20 NOVELS, THAT'S WHAT.) I'm not sure what I'm going to do about my birthday, but Wendig's using the occasion of his to reflect on the lessons of his writing career. Said lessons, he hastens to emphasize, may not necessarily be transferable to other writers--that's the first bullet point right there, Writing Advice is Bullshit and Largely the Product of Survivor Bias:

Even the list below is just me… spouting off. They’re lessons that apply to me, not to you. Maybe to you, it’s gold. Maybe it’s a sack of angry raccoons, I dunno. The only writing advice you can count on is: you gotta write, and you gotta finish what you’re writing. Everything else is variable.

I'm down with that. And I'm pretty much down with the whole list, actually. If any angry raccoons are involved, well, maybe they have cause to be angry. They're not saying anything that strikes me as fundamentally untrue or less than useful.

Some of it is really reassuring for me. Take number five, Find Your Damn Process--Then Challenge It:

You have a process. So go find it. Maybe that means writing 2k every day, reliably. Maybe it means writing 15,000 words every other weekend. Maybe it means you write in coffee shops, or in the crawlspace under your house. Maybe it means you eat a handful of bees before you begin. I dunno. That’s on you to figure it out, and while it’s important to figure out what you write and why you write, it’s also incredibly necessary to figure out how you write. You may think how you write is the way others have told you it must be, but that doesn’t make it true. Also important: when your process isn’t working, you need to evolve it. Your process isn’t one thing forever just as you aren’t one person forever.

I bolded a bit there 'cause it's speaking to me. My current process, the one I was so proud of coming up with, the whole 5 hours a day thing, morning shift, afternoon shift, fill out a time sheet, check the boxes on Habitica, do the daily gotta-git-dones... it's not working. I hate that it's not working because it ought to work and I don't know why it's not working. But it's not. And maybe I have to acknowledge the possibility of some answer other than "Try HARDER tomorrow."

I don't know what the right answer will be, but it probably starts with "change something." Change what? To what? I don't know. But asking the question generally comes before answering the question, I guess. I may not like the period between ask and answer, since it's filled with confusion and despair and flailing around and going WTF I CAN'T EVEN, but I suppose it's inevitable to spend some time there.

Which means this bit is also reassuring. From number 24, You Know A Whole Lot Less Than You Know, And That’s A Good Thing:

Every day of a writing career is exploring a new planet. All the truths you hold are likely half-truths or even cleverly-costumed lies. Embrace that. Every day I know less than I knew before, and I find that oddly and eerily liberating. It means I don’t have all the answers and neither do you.

So it's OK not to have answers. Not having answers is a necessary state of art, and in fact life.

What is also necessary: continuing forward, despite that lack of answers. Despite the lack of success. Despite the lack of hope, even. Quoting number 25, which--given all the times I've gritted my teeth to hear someone say, "Not everyone's cut out to be a writer, so there's no use encouraging the ones who aren't"--sings harmony with my heart of hearts:

Writing as a career takes a certain kind of obsessiveness and stubbornness, I think: the willingness to put a tin pail on your head as you run full-speed into a wall, hoping to knock it down. Again and again. Until the wall falls or you do. Sometimes I think maybe that the thing that separates those who have it from those who don’t is simply those who decide, “Fuck it, I’m a writer,” and then they do the thing. They choose to have it, to count themselves among that number rather than those who don’t. But I have no idea. I don’t know what the hell is going on. And neither to do you. What I know is this: writers write, so go write. Finish what you start.

The rest is negotiable.

It may look like I've already quoted the whole darn article right there, but, honestly, there are 25 bullet points in that there list, and Chuck Wendig wrote them all, which means they are (mostly) verbose and profane and hilarious. And also wise and inspiring and reassuring. At least, I thought so, so I thought I'd share it with you.

Besides, I didn't have much news of my own to share. I mean, I got up, I took care of some household necessities, I wrote, I went to see the Doctor Who Season 10 screening at the local theater. Things are OK. They're just not news.

The Volt is back in full repair, by the way. The part that needed replacing--essentially, the charging port--was more specific to the make and model of car than I thought, so I actually had to take it to the Chevy people in Longmont. They spent about three hours chasing down warranty approval and one hour doing the actual repair, so I got very familiar with their waiting room. Too familiar. I kind of had to take a break from the waiting room and go skate around Sandstone Park for awhile. And I have to say they weren't very proactive in giving me updates. Even when they were done, it was like the dude was on his way to another errand and since he just happened to be passing by he thought he'd mention that "We're all done whenever you're ready." Dude. I've been ready all afternoon, where were you? But, hey, all's well that ends well, and I went on to treat myself to Popeye's fried chicken because I was practically at I-25 and 119 anyway.

And now the car is fully functional, the still extant manufacturer's warranty paid for it all, and I was able to charge it all the way up not far from the movie theater tonight, and it's all ready for John to drive it down to New Mexicon for the weekend. The end.