author: Nicole J. LeBoeuf

Bear with me a moment. I've had an epiphany. (Yes, another one.)

The other day I was, once again, doing my daily freewriting exercise. I was using for a writing prompt the dream I'd had that morning, which had posited some fairly out-of-character behavior on the part of a friend of mine. In the dream, she was reviewing a list she'd had me write of near-term personal improvement goals; upon reading the item "explore my religious/spiritual growth" (or something like that), she muttered something like "Well, this one's clearly bullshit." I decided I wasn't going to just politely let her spit all over an important part of me. I told her, "Well, I am religious, and you're just going to have to deal with it." Then I woke up.

It was terribly banal, as dreams go, but I thought I'd scribble on it anyway. Which seemed foolish. I mean, I'd already written the dream down once. What was I going to do, write it down again?

Apparently, I wasn't. I instead found myself writing a story about two sisters, the older one trying to replace their missing parents for the younger. Why was the younger sister putting up with it at the age of twenty-one? What had growing up been like for the two of them, that the older sister's intrusive, nosy micromanagement was just par for the course--and where did she get all those unhealthy ideas about age and beauty? Also, why were their parents missing? Well, they were in Alaska when the whole state went missing. Wait--the whole damn state of Alaska? Disappeared? When was this?

By the time my timer went off, I still hadn't reached the actual incidents from the dream. I was still writing a family history, figuring out some worldbuilding backstory, and feeling my way into the younger sister's idea of normal.

Here's the epiphany: There's always more to write beyond what the writer sat down with the idea to write. Which means writing isn't just about taking what's inside one's head and spilling it onto the page. The act of writing actually adds to that initial supply.

Why, it's almost as if writing were a creative act...!

Obvious, right? Except, oddly, not. There's talk of creativity and imagination, but there's also a tendency to say "I don't know what to write" as though it were reason enough not to start. That old metaphor about "opening a vein and bleeding onto the page" makes it sound as though words were simply (if painfully) poured out like water from an existing reservoir. It's like the creativity is supposed to all happen quietly, behind the scenes, long before the pen hits the page. Even that evocative image of driving a highway by night, such that you can only see a few feet ahead at any one time but you're always moving that illuminated area forward to reveal more, can be considered to fall into that camp: It's all in there, you just can't see it all until you start to write it down.

I have to insist it's not so. At least, not for me. I don't think the rest of that highway actually exists until I start to drive. I think the writing causes it to come into existence.

Which means that "I don't know what to write" is never the last word. Which is glorious. It doesn't matter how lost or ignorant or out of ideas I'm feeling; it's always worth it to just start typing. I will never find that reserve empty; the act of tapping it actually causes it to refill.

Realizing this, or, if you prefer, coming to think about it that way clearly for the first time, was like finding my faith. It was practically a religious epiphany. ("I am religious. You're just going to have to deal with it.") And, like a closely held religious faith--which I think I'm going to say it actually is--it gives me great comfort to think about.

So that's what was on my mind this morning.

Apropos of this blog post by author John Scalzi, you are all on notice that henceforth the actually writing blog here will be pleased to employ the non-gendered pronouns whee/whim/whir wherever appropriate.

Singular they/them/their will also be utilized on occasion, but they've got nothing on this new set for sheer fun. Observe:

A visitor to OUT OF THIS WORLD AMUSEMENT PARK is sure to have a good time. After whee pays the admission fee, a mere five dollars, whee can enjoy any of our thrilling rides as often as whee cares to until closing time, which, thanks to the interdimensional nature of the campus, never actually arrives. Long lines will never trouble whim, for each ride has been replicated by a potentially infinite number due to our cutting-edge temporal engineering. Whee can look forward to telling whir future grandchildren about whir stunning day in the park, though--fair warning--they may be disinclined to sit still and listen to whir stories when they could be riding the rides and making memories of their own on the very same endless day.

OUT OF THIS WORLD AMUSEMENT PARK! Bringing countless generations together for a literally timeless adventure!

Wheeeeeee!

Off to a late start today, being all virtuous and getting the household and admin-type chores done on time for once, but--the Friday Fictionette is up at last on Patreon as of, oh, 9:30 PM or so. All the tantalizing excerpts and extranea here on my blog, over on Wattpad, and in my Patreon activity stream (excerpt here and cover art notes here) didn't quite make it up until 11:00.

(Wowzers, holy link-fest, Batman!)

As I may have mentioned, each week's fictionette is pulled from one of my timed freewriting sessions the month before. And it can't be just any session I haven't already selected yet. It's gotta be one of those from the corresponding week. This is one of the picky little rules I impose on myself to keep myself honest and the fictionettes fresh. So the Friday Fictionette for October Week 2 had to be some freewriting output from September Week 2. And sometimes when it's time to make that choice, I look at what I've got to work with and I despair. "Is this it? Seriously? It has to be one of these? But they're all awful!"

That wasn't quite the case with "Out of Sight, Out of Mind." I was actually kind of excited about it when I wrote it. The half-dream, or maybe hypnagogic hallucination, that it stemmed from made a strong impression on me, and the slow vanishing that the second-person narration describes is pleasantly creepy. I was looking forward to polishing it up and giving it a real ending!

Then I polished it up this week, and I ran smack into the other limitation I hold myself to: Once I'd chosen the vignette that was going to be released as a Friday Fictionette on October 10, that was it. That's what it was going to be. No take-backsies, not even if the revision frankly horrified me. Seriously, I got to what is now the ending, and I thought, "That's... not OK. That needs a content warning or twenty, and also a unicorn chaser. That's just bleak."

Somewhere in the ether there is a third ending, which, much like the original "invisible man at the party" image, came to me as I was falling asleep. It came to me very late on Wednesday night after trying to wrangle the fictionette into shape while I was too tired to think. And it was perfect. It was the perfect ending, with shades of "the biter bit" and satisfying parallel structure and it was perfect. And I did not write it down at the time, so when I woke up in the morning it was gone-baby-gone. But it's out there, somewhere. I hope it finds a nice home in someone else's brain; I fear it's too late for it to come home to mine.

The tricks, I mean. Nothing stupid about the word prompts. Mis-aimed, perhaps, maybe less then entirely appropriate for what I'm trying to do, but certainly not stupid.

See, I remembered this morning another podcast whose every episode ends in a writing prompt: Writing Excuses with Mary Robinette Kowal, Howard Taylor, Dan Wells, and Brian Sanderson. The very memorable slogan is, "Fifteen minutes, because you're in a hurry and we're not that smart." It's perfect for my roller derby commute, or will be once we move into our new practice space that's not even 15 minutes away from home. (Tonight's practice, by contrast, was an hour's drive each way.)

The latest episode featured an interview with Patty Garcia, Director of Publicity for Tor & Forge Books. Accordingly, the writing prompt for that episode, which they post in their show notes as well as announce in the podcast, was this:

Write a short essay that touches on one of your books, and that will drive interest in your book.

This was very much not the prompt for me. I mean, yes, where the resistance is, there is the strong writing, sure, but this isn't a story idea prompt. I wanted a story idea prompt, darn it.

So I turned it into a story idea prompt. I took the prompt sideways. Instead of writing an essay meant to drive interest in my book, I wrote the beginning of a story in which a teenage girl got interested in my book. The book was Iron Wheels, only in some alternate reality where it had been published early enough to have been a favorite of her mother, and written with a fourth-wall-breaking narrator who promised that there was a secret within those pages meant just for her, only for her. And that secret was, of course, that the Fae are real.

I'm realizing lately that I have countless story ideas that take place in the world of Iron Wheels. Which is awkward, because I still don't feel like I have a handle on the shape of that world. Maybe all these random sessions of freewriting that take me back there will help me figure it out. Maybe they'll even help me get Iron Wheels finished and ready to visit agents. Wouldn't that be something?

Anyway, that was my stupid writing prompt trick. Ta-da.

I've been playing with a new source of writing prompts this week: "News from Poughkeepsie," as presented by Mur Lafferty. This is, or at least originated as, a series of writing prompts from the brain of Jared Axelrod. I suspect--though I haven't got a citation for this--that its title comes from Harlan Ellison's famous smart-ass answer to the perennial question, "Where do you get your ideas?" At one point I think Mur was reading one at the end of each episode of her I Should Be Writing podcast. In any case, I'm currently receiving them in her weekly email that you can get if you support ISBW on Patreon. Chuck a buck Mur's way each month and you can get her weekly email too! All while knowing that you're helping to keep the podcast's metaphorical lights on!

Anyway, I've been a supporter for two weeks now, so I've received two of these emails. This week I dug up the writing prompts and used them in my freewriting. Both of them, the one from this week and the one from last, had to do with your antagonist: exercises to help you get to know your story's villain as a three-dimensional character with agency and motives of their own. And I was stuck for a moment, because I don't know who the heck is "my villain." The last few stories I've been working on haven't had villains, not exactly.

Well, "Caroline's Wake" has Caroline's murderer; I guess he's an antagonist, of sorts. But, for one thing, I don't feel like he brings the true central conflict in the story. For another, that story is out in the slush now, so there's limited use in noodling over its antagonist's human moments.

OK, so, what am I working on now? The new story, the one with the feathers. The one that I still haven't come up with a good title for. It doesn't have an antagonist. What it has is a semi-random act of the supernatural and a handful of satellite characters affected by it. Those characters aren't pitted against villains or even banal antagonists. They just have the small day-to-day conflicts that we all do. It's rather like "The Day the Sidewalks Melted" in that way. Hell, it's almost written to the same formula, if "Sidewalks" can be said to have a formula.

In the end I gave up on trying to find a way to make the prompt work for any work in progress. I just made up a new character, decided she was a villain in a story I don't know yet, and let the writing prompt help me ease my way into that story. And that was fun. I had no idea where I was going, but I kept stumbling across signposts as I fumbled my way forward through the 25 minutes. It was E. L. Doctorow's "driving a car at night" style of writing, where "You never see further than your headlights, but you can make the whole trip that way."

That's the best kind of writing, when there's a surprise at the end of every sentence that tells you how to write the next sentence. It's what I love about first drafts.

The submission guidelines call for a maximum word length of 1400. I wrote 1557 words of rough draft today and I'm only halfway through. Not even halfway through. I'm a little worried, I won't lie. But I know that today's words were, well, wordy. It's exploratory draft that I'm writing, figuring out who my characters are by talking to myself about them. Most of these words will remain off-stage, as it were, in the final draft. So I'm not a lot worried about it. Just a little.

There's a central theme that's surfacing: the idea of deciding what means the most to you, what's worth fighting for even when it's easiest to move on and let go. What metaphorical hill you choose to metaphorically die on, and then following through with that decision. I like it when central themes arise. They give me a goal to steer by. But they also scare me half to death. Like, this story has literary aspirations. Do I really need this kind of pressure?

In other news: The handywork on the doors is done. What remains is all stuff John and I can do ourselves: take them down, stain them, install door pulls. And then of course there's the painting, cleaning, re-staining, and other improvements we needed to do, like, yesterday. Maybe some of it will get done tomorrow. I don't have derby tomorrow evening, so there's a whole bunch of time and energy free to put toward other causes.

I did have derby tonight. A mixed roster of All Stars and Bombshells (our league's A and B teams) went down to Denver to scrimmage against the Denver Roller Dolls' brand new C team, the Standbys. The idea was to help them practice and prepare for their bout this weekend, but they weren't the only ones who got a good workout, let me tell you. I'm so tired, I'm just empty. I used it all up, y'all. That was a damn good scrimmage.

It was also John's debut as a bench coach. Everyone seemed really glad to have him. Our team coach was especially glad because John's stepping up to the task freed her up to just be the team coach (the coach who faces the track and tells the skaters in play what to do) rather than try to be that and a bench coach (the coach who tells the skaters on the bench who's going to go out on the track next) at the same time. Which is a hell of a lot for a single coach to take on. I know this, because just doing the bench coach job had John as mentally exhausted as I was physically.

He described it to a friend thusly: "Yes, it was fun. It's the kind of fun you have when you almost crash into a ten-car pile-up, and you're all, YAY! I didn't crash!"

He was not so exhausted, mind you, that he didn't come home and immediately fire up an archived bout on WFTDA.tv to watch.

My friends, we have created a monster. And I'm so in love with this monster I can't even begin to tell you.

Until about 2 PM today I was under the impression that the deadline on submissions to An Alphabet of Embers, edited by the most excellent Rose Lemberg, was September 15. That is, today. Which misconception gave me two specific thoughts:

First, that it was a darn good thing I'd begun holding myself to a freewriting session every day, and not just every workday. I added it to my HabitRPG dailies and everything. So Saturday, grumbling but dutiful, I did it. For a writing prompt, I recalled a moment earlier in the day when a feather had floated past the window and I'd thought, "What if that was only the first?" Like, what if, just behind that feather, at any moment, there would come a huge cloud of feathers, like ten down pillows' worth, just billowing along from east to west. Why would that be? What would cause a sudden explosion of feathers, and what effect would it have on the neighborhood? So that's what I wrote about for 25 minutes.

As I drifted off to sleep Saturday night, the results of that timed session came back to me and started to sound a lot like a possible story.

Second, I thought that it was also a good thing I'd taken today off from the farm. There was a good chance I'd wake up this morning in Colorado Springs, having spent Sunday afternoon in the Pikes Peak Derby Dames' Cutthroat Derby Tournament, a four-team, three-bout mix-up. Even if we did drive home Sunday night, I anticipated being absolutely wiped and needing to recover. (And yes, indeed, I did.) Which also meant I'd have all today to write this brand-new story and send it along.

But then I checked the call for submissions and saw that the deadline was indeed September 30. And that gave me a couple of thoughts:

First: "Hooray! That means I don't have to work on it today." Monday isn't typically a writing day, see. (Although it is now a freewriting day. Which I did without grumbling.)

Second: "Looks like I'll be postponing 'Hook' until this thing is done, then. Yay! I mean... Darn."

So now I get a chance to work on this whole "relationship with deadlines" thing. Remember that bookmark? The one that says, "It got better from here"? This week I got to make good on that.

I can't really complain about our accommodations. The hotel bed is super cozy. The desk in the window is comfortable and wide and well wired up, and there are AC outlets everywhere you look. And they feed you a complimentary hot breakfast every morning. That's complimentary as in "for free, no extra charge, all you gotta do is get down here before 9:00 and not mind that we're running a TV at you nonstop" and hot as in "scrambled eggs, a potato side, a meat side, and one more thing that's kinda fancy, I dunno, today it was egg sausage cheese muffins, tomorrow it might be quiche lorraine. Oh, and there's a waffle maker."

But there's something weird about our refrigerator.

Since construction on our home was going to take the better part of two weeks, we reserved an extended stay suite. The bedroom is separate from the living room, and there's a functional kitchenette. In the kitchenette is a full-sized refrigerator. And I really don't want to complain--see, when we first checked in, the fridge turned out to make a terrible high-pitched whining noise constantly. I mentioned this to the front desk, and they had maintenance out lickety-split to replace our unit with a better one. The maintenance worker was surprised we even had that old unit in the room at all; it was apparently outdated, small, lacked an ice maker. The one he replaced it with was slightly larger, equipped with an ice maker, and pretty much silent. No whine, just the usual background hum of large appliances.

Or so we thought. Until late in the night, we thought we heard someone knocking on the door. Tap-tap-tap-tap, tap-tap, tap tap tap. But no one was there. Several hours later, we heard it again. It sounded so very like the way housekeeping knock on the door during the day, tap-tap-tap-tap with a key-card against the wood.

It's the ice maker. The ice maker is making knocking noises. We have no idea why. I shifted the bar to the OFF position, and still it happens every few hours or so. Tap-tap-tap-tap. Tap-tap.

Don't get me wrong--it's nowhere near as bad as the whine of the previous unit. I'm certainly not going to bug anyone about replacing it. Now that I know what it is, I can ignore it, or listen with amusement, depending on my mood. But it's just weird. It's like a prank punch-line. "Hey, is your refrigerator running? Better catch it!" "Hey, is that your refrigerator knocking? Well, let it in already!"

Other than that, things are fairly peachy.

On the writing front:

The Patreon page is coming along, but as I hammer it out, I have second thoughts about what I'm going to be promising. Like, I watch myself type, "On each of the first four Fridays of the month, I'll..." and I think, am I insane? Why am I committing myself to another weekly obligation? I think it's just nerves, though. After all, the thing I'm thinking of doing is hardly unreasonable. I've been doing it anyway for months now anyway, just not where everyone could see.

The short story is not yet finished, but it is almost there. I don't need to go back and fiddle with the rest of the story any more. It's all in place. All the set-up is complete and right and as smooth as I can make it. Tomorrow, the ending is happening. At the very least, whatever shape the story is in by the time I have to go to derby, that's the shape in which it'll hit the slush. And I'm not feeling panicky about that, so I suppose it's acceptable.

And I've been keeping up fairly well with the CTC29 challenges--mainly because I already have time in four of the seven days of the week carved out for just such prompt-inspired timed writing. The last couple of days have been doozilicious, though. Yesterday, I read, "Write the first five pages of a story or novel such that they..." and I thought, That isn't a writing exercise. There is nothing "exercise" about it. That's a whole new story I'm supposed to start here. And then I thought, Yes. And? and I got to work on it. An engaging character in an interesting dilemma came out of it, as often happens. I hope I get the chance and the inspiration to go back and finish the story. If I don't, well, I have plenty of others to choose from, what with this daily timed writing exercise thing I'm doing.

Sometimes I worry about all the stories I start which I will never in my lifetime finish. I read The Neverending Story, y'all. I know what happens to people who don't finish all their stories. Generally the worry is followed swiftly by the thought, "That's silly. Having more story ideas than you'll ever need, that's not irresponsible. That's wealth." Nevertheless, the worry sits there at the back of my head, muttering, "Yeah, well, you just try telling AURYN that, see how well that excuse'll go over."

In terms of time spent writing, yesterday was pretty much non-existent. Today was only about an hour better. (Context: I aim for five hours a day Tuesday through Friday.)

Despite the low time clock report, today feels better. Its emotional weight rests more lightly upon the psyche. I can think of two reasons for that; there may be others.

First reason is, it was better even if it wasn't much better. Half an hour's work on the short story is better than none at all, even if that half hour was mostly me staring at the final scene, typing out a sentence, and then erasing it again. And then re-writing the sentence at the end of the fifth scene. And then staring at the screen, trying to decide whether the flashback at the end of the fifth scene really belongs there or closer to the end of the story. What I'm saying is, it didn't feel like progress at all. However, it was process, and I take it as an item of faith that the process itself is an element of progress. You gotta show up on the page, right?

The other half-hour was my daily freewriting. (Allegedly daily; it didn't happen yesterday either.) My most recent freewriting has been to prompts I came up with Tuesday, when I tasked myself with generating a list of magic realism style concepts which involve mismatched categories. The inspiration was rereading Karin Tidbeck's short story collection Jagannath, which is wonderful and strange, full of elegant nightmares and emotionally resonant weirdness galore. It opens with a story whose theme, I think, is to do with miscommunication and projection, but whose explicit text is about a man who falls in love with an airship and briefly rooms with a woman who is pursuing a love affair with a steam engine. This is what I mean by mismatched categories. Another of her stories expresses the universal angst of parents watching their children become their own unexpected selves, but does so through the textual medium of a woman creating a homunculus in a jam jar. Reading Tidbeck's fiction is like a jolt of electricity to the brain's inspiration center. It makes me want to dream up weird stuff of my own.

So I did. Some of the mismatched category prompts I came up with were: Doors in people's chests which opened upon the heart; a bicycle that hatches out of an egg; buildings as public transportation vehicles; a harp hung up on a wall. The last one isn't exactly a mismatched category situation--musical instruments do often get hung up on the wall--but in my head it was the grisly harp from a particular well-known ballad, years and years after the story takes place, when it begins to "play alone" once more for reasons TBD. After noodling around on the idea today (and trying to determine those reasons), I slapped the "To Do" label on it in Scrivener because I think I'm on to something here.

So it wasn't just that an hour of writing was better than none. It was also that a day on which I come up with a brand new story idea is better than a day on which I don't.

Second reason? It's kind of silly, but, here it is: Yesterday, I mostly poked around listlessly at the internet, thinking, "I really ought to write," until I ran out of time in which to make it happen. Today, by contrast, I very definitively thought, "I ought to get back to the writing, but, dammit, I'm going to play some Puzzle Pirates." And I did.

The moral of the story is this: If you're going to procrastinate, do it deliberately and have fun with it. Otherwise, you might as well get to work.

Hey, look! A blog post. Something else I did today but not yesterday. Third reason!

Well, that took longer than expected. "What took longer than expected?" Oh, everything. But it's OK. I got the story submitted just under the wire--or if not just under the wire, than within a minute of the wire. Look, if they refuse to read it because it came in at 00:00 on July 2 rather than 23:59 on July 1, well, there's other markets.

And the story has cleaned up mighty fine.

(I just checked my email. My submission has neither bounced nor triggered an automatic reply. OK then.)

Have I mentioned that writing this story has resulted in me having this song stuck in my head? For weeks? I finally dug up the album so I could play it and exorcise the earworm. Unh-uh. That's not how it works. At least, not if you're me. No, now I have the whole album stuck in my head, one song after another.

It's a pretty good album, though.