author: Nicole J. LeBoeuf

Oh hi there SURPRISE ERRAND TO GET A LEAKY TIRE PATCHED. Car, not bike, so you can see it was kind of immediate. Nevertheless, I kept my promise. Today was MUCH MORE RIGOROUS. Maybe not as many hours logged as I'd hoped, but every task on the check-list got done, so I'm calling it a success.

Also, today was relevant in terms of the new "hard stuff first, easy stuff later" theory of scheduling writing time. Only not in the usual way. I didn't get to do the hard stuff during my morning shift because, thanks to the leaky tire errand, I didn't get a morning shift. So I had to do the hard stuff shift as an afternoon shift, when it is always hard to get back to work. Plus, after the sort of morning I'd had, I really felt like I deserved to skip to my budgeted play time the moment I got home.

But no! I was good. I clocked in and began my submissions procedure session. I figured, it didn't need to be a lot. I'd just check on the status of all outstanding submissions, and then I'd take a look at a couple newly opened submissions windows and give some thought to whether I had anything vaguely ready to go that might be remotely appropriate. And it's a good thing I did! When it turned out that in fact I did have something appropriate, and that it was more than just vaguely ready to go, I revised and submitted that sucker.

It was like the manuscript submission version of tricking myself into an actual honest-to-goodness story revision session with "All right, you don't have to edit it, but at least open up the document and read the draft". Time and time again, we see amply demonstrated that A GOOD WORK ETHIC IS ITS OWN REWARD. If you can't do a lot, do a little, and be open to the possibility of that little turning into a lot after all.

(It was also a demonstration of the principle DON'T SELF-REJECT. I caught myself thinking, "They want science fiction. Is this science fiction enough? There is a unicorn in it. The space ship and the cloning might be considered a pasted-on afterthought." Then I whapped that thought with a rolled up newspaper. I told it sternly, "There is a space ship in it! And cloning! It is science fiction! Send the damn thing! It is better to send something than to not send something!" So I sent it. So there.)

Anyway, where this ties in to the "hard stuff first, easy stuff later" theory of scheduling is here: Getting the hard stuff done during the brief window of time I had open this afternoon meant that I had only the easy stuff remaining when I got home from roller derby practice. After derby is, as we know, not when the hard stuff gets done. It's not realistic to expect me to put on either my editing or marketing hat at that time and not disgrace the headgear. But even exhausted from the heat and tender from new bruises, I can manage about 500 to 750 words of freewriting. And I can at least reread the current draft of this week's Friday Fictionette, make a few line-edits, and scribble some notes toward working on the final draft tomorrow.

And I can blog. How hard is blogging, really? It is not really hard. I mean, even I can do it.

All that done, I may stay up a little late playing Spiral Knights. It is the season of the Apocrea, and I want to go farm Apocrean Sigils on the Grasping Plateau. And during the little bit of play time I budgeted this afternoon, the dang game server kept booting me before I even got to the Grasping Plateau. The random gate rotation would put me through three levels of bog-standard Clockwork Tunnels and Arenas, and then, just before it absolutely had to send me to the Grasping Plateau because it's the last level before the departure lounge and that's all you can get, wham! Lag, lag, lag, lag, logged off. WASTE OF MY TIME, GAME SERVER. I feel owed another chance at it tonight. And if that means I'm up until two aye em, so be it.

Tomorrow's Wednesday, after all. I don't have anything planned for my Wednesday evening. I'm free to time-shift my work day if I choose. That can't possibly go wrong.

I HAD AN EPIPHANY YESTERDAY. About the extreme difficulty of getting to the short story revision part of the day. About my entire work-flow. ABOUT HOW TO FIX IT.

First up in the equation is time.

I write more efficiently and productively in the mornings. That's just a given. The long day is still ahead of me, I'm awake, I've just had my first mug of tea and done all the morning-wake-up things, maybe I've had a little walk around the block, I'm ready.

I do not do so well in the afternoons. I have a hard time circling back around to the writing after a couple hours not writing--whether it's making lunch or going out and getting it, doing household chores or running errands, or even just having a well-deserved play break. Two o'clock comes round and everything about me says "noooooo." Sometimes I wind up just crashing from sudden fatigue. The afternoon shift quite often doesn't happen.

And then there's tasks.

It's easy to get my "daily gottas" under way. They are rote, they are mechanical, they have the inertia of habit behind them. The stakes where they are concerned is low. Fictionettes are not guaranteed to be sparkling undying literature, and freewriting is no-holds-barred crappy-as-you-want-it idea generation. It is play.

It's so much harder to jump into the revision process. The stakes are off the charts. Making things perfect becomes my job, and it is a scary job.

There you have it. We have two times of day, one that lends itself more effortlessly, more energetically, to the writing than does the other. We also have two types of writing tasks, one that is much easier, brings lower stress, and feels more fun than does the other.

So.

Here's where I *facepalm* forever:

I have been pairing up the unfriendly time of day with the more difficult writing task. WHY. WHY AM I STUPID. Why would I do that to myself? Why would I take a hard thing and make it harder? That is not a nice thing to do to myself! That is not what we call reasonable expectations! Seriously, this is basic self-observation, writing efficiency, Rachel-Aaron-2K-to-10K stuff: Gather data, find out how you work best, and then work that way! Do not attempt to work in a less-than-best way! That way lies less-than-best work. Sheesh.

So! In the name of getting out of my own way already, today I tried reversing the workflow.

For my morning shift: Submission Procedures and Short Story Revision.

• I submitted "Soup Witch" to a new market. A big one! Big enough that I've never submitted to them before, but always thought, "No, this isn't good enough for them." But, hey, DON'T SELF-REJECT, we have people to do that for you, they're called editors. (I kid. Except I don't.) Anyway, they happily take second publication rights, they don't seem to care where the first rights were used up, and they specifically publish for a younger audience. IT'S PERFECT.
• I reread the Cast of Wonders submission guidelines for Banned Books Week and this time my eyes snagged on the bolded words new stories only. They in fact they don't want reprints for this particular call. Whoops. (In my defense, I don't think I'd looked at the guidelines on Submittable before, but only at the very brief guidelines at the CoW website. So. I guess I will not be emergency-editing "Making Friends" for them after all.
• Upon not finding anything in my searchable manuscript list that's unpublished, less than 3,000 words, and in any way to do with libraries, I resigned myself to returning to the rewrite of "Survival, After." Which is fine. Honestly, I feel like I was using EMERGENCY DEADLINE REVISION DISTRACTION as a way of avoiding it, because it's hard. All revisions are hard.
• So I worked on the bit in "Survival, After" about the singing beef jerky. (It gets its own scene in this longer version.)

For my afternoon shift: Freewriting and Fictionette Prep

• Freewriting. Yay! For a writing prompt, I turned to InspiroBot, who gave me this creepy beauty. Be strong! Don't die!
• Fictionette. Drafting is coming right along. It's too long, but that's OK; Tuesday is early days. I've already condensed two characters' functions into a single character, always a welcome development when writing flash fiction.

And for my lunch break, I...

• Did some household financial chores.
• Played about an hour of Spiral Knights!
• Then spent an extra couple hours avoiding getting back to work.

So the rearranged schedule is not a panacea. But! It helped. I did not at last look at the disapproving clock and decide there was no point trying to fit a meaningful session of (difficult, impossible, nebulous, ill-defined) short story revision into the hour and a half remaining before I had to get ready for derby. Instead, I thought, OK, 25 minutes for freewriting and another, oh, 45 minutes for fictionettes. Golden! And off I went. I damn near made myself late for derby because I was not going to put down the fictionette draft until I'd soundly defeated the possessed Villager and taken their stash of Dust and Wood (4TW brings all the motivation), but I did it.

One day does not constitute a sufficient body of evidence, but it'll do for proof of concept. Let's see how well it works tomorrow.

The April 2018 edition of Camp NaNoWriMo is over. Toward my goal of 40 revision hours, I got about 10.75. Toward my story submission goal of getting all five Weekend Warrior contest entries revised and submitted, I got a whopping zero. I started one revision but still have not finished it. Still, I did revise and submit something else along the way! So. Not ideal, but toward my meta-goal of "have a healthier daily workflow that regularly moves my commercial publication goals along" goes, it's a dang good start.

I've had to put "Survival, After" on hold again, though. Cast of Wonders has reopened for submissions! But not for general submissions, so I can't simply resubmit "The Soup Witch's Funeral Dinner" there (my one completed revision and submission in April) as the folks at Podcastle suggested doing. I ought to have submitted it during their most recent general submission period. I could have done! Podcastle sent me the rejection letter with that suggestion the day before the April 15 deadline, and then by the morning of deadline day I had received the rejection letter from Cast of Wonders for the story I'd had on slush with them at the time. So I could have submitted it without it being a simultaneous or multiple submission! I had about half a day's window to get it in. But I didn't get moving until late that night, however, at which time I discovered that they reckon end-of-day according to Eastern Time Zone hours.

Alas.

Cast of Wonders's next general submission window is probably going to be August 15. That's kind of a long way off, so I'll be looking for some place I can resub "Soup Witch" in the meantime. It would have to accept Patreon reprints of about a thousand words in length that either read a little young or a little like a fairy tale. There must be somewhere, right? Quick! To the Submission Grinder!

Meanwhile, here's what the current Cast of Wonders submissions window is about (in case you want to play along at home). They're preparing for Banned Books Week by inviting submissions appropriate to the theme of libraries. So I've dug through the Friday Fictionette archives for a potential reprint more likely to fit the bill: "Making Friends," in which a lonely orphan child, having learned the pros and cons of friendship from reading through her guardian's carefully curated library, tries to put those lessons to work.

It is not going to be simple. On reread, I'm struck by what a mess it is. The beginning rambles. The ending abruptly cuts things off just before the two main characters can meaningfully interact. It is not made clear what the protagonist's situation actually is. Also the role of the Duchess's library could be heightened just a bit, just to give the story a clearer connection to the theme, but only once I've cleaned up the major malfunctions.

The good news is, with a maximum word count of 3,000, I've got all sorts of room in which to let the story unfold. The bad news is, once again, I'm going to need to generate new draft. It'll probably take me right up until the May 15 deadline to finish.

Well, if it does, at least this time I know not to leave it until ten o'clock at night.

I have been slowly working my way through the revision of "Survival, After." It was under 750 words when I first wrote it; it had to be, given the constraints of the contest I wrote it for. Now it just has to be whatever length it needs to be in order to succeed at what it wants to do. Turns out it needs to be longer than it was; no surprises there. New scenes need to be created. Existing scenes need to be fleshed out more, their implications teased out. New rough draft needs to be written. And that's not fair! This teeny tiny short-short story was supposed to only need a quick once-over before it was ready to submit somewhere! I don't want to write new rough draft! New rough draft will itself need to be rewritten! Where does it end?

Fiction is frickin' fractal.

Today I wound up working on something different. Yesterday, during the submissions procedures portion of my work day, I discovered that a market I want to submit to is in the middle of a submission call for themed fiction under 1,000 words. And this market is not only reprint friendly--reprint encouraging, in fact--but it's also Patreon reprint friendly. I think "The Soup Witch's Funeral" might fit the theme pretty well, but I'll have to trim it down to two-thirds of its length first. I got a start on doing that today. Looks like when I get through this first pass it'll have gone from 1550 to maybe 1250, and I think I can do a second pass to tighten it up the rest of the way tomorrow. Then I'll be able to submit it.

And then I'll go back to writing brand new rough draft for the "Survival, After" rewrite. And rewriting the new material. And whining about it.

OMG lookit me I'm writing after derby. Help.

I go back and forth on whether I can usefully get stuff done after derby. When I started this post during the last half hour before practice, I was thinking, this whole "can't work after derby, sorry" thing is just an excuse. But at that time I hadn't had derby yet. It's easy to plan to be virtuous when I haven't had three hours of skating hard, hitting and getting hit, attempting to perform strategy while metaphorical bricks are being thrown at me, and then doing a whole bunch of off-skates conditioning hell. Now that I have done those things, I'm feeling less gung-ho about writing, or in fact doing anything other than collapsing into bed. But I had a Perfect Day on Habitica yesterday--a day where I completed and checked off all my Dailies--and I'm damn well going to make today a Perfect Day, too. So I'm doing writing stuff after derby. Gods help me.

In addition to finishing this blog post, I also committed to doing my submissions procedures. Submission procedures isn't just one of my Habitica Dailies, and thus required for a Perfect Day, it's also hours I count toward my Camp NaNoWriMo goal! Any work done on drafting, revising, or submitting short stories counts. (I'd already done today's short story revision work, which was also a Daily I needed to check off. I only worked on it for about a half hour, but that counts.) But the thought of attempting to put together a submission late at night on a post-derby brain is kind of scary. I mean, post-derby brain is capable of all sorts of ridiculous mistakes. Post-derby brain has trouble telling black from white and counting to five, y'all. How am I going to rely on it to scrupulously follow submission guidelines, remember which editors I'm emailing, and attach the right file?

Theoretically, this can be easy and even mindless. Take that same manuscript file that went out last time, attach it to an email going to the new place (or upload it via their submission form, whatever), and off you go. Theoretically. But that's before you consider that some markets require blind submissions, so you have to scrub your identifying information off the page headers. And some editors prefer real italics and some prefer you use underlines in place of italics. Some editors really, really hate the Courier font, so you probably better change that to Times New Roman or Verdana or whatever it is they like. (Or maybe you hate Courier, but the market you're considering is all MONOSPACE OR DIE. Everyone's a potential casualty in the font wars.) So it's in the author's best interest to read the submission guidelines carefully and make whatever adjustments they require.

But before I get into all that, I have to know which story I'm sending out and where I'm sending it to. And that's really hard for post-derby brain to figure out, especially when pre-derby brain kind of had no idea either.

Thank goodness for the Submissions Grinder. It's a free-to-use submissions-tracking system built on top of a truly enormous market database. The whole thing is a labor of love and community service by Diabolical Plots and David Steffen, and I don't know what I would do without it. Poor post-derby brain Niki can just log in, click "Manage Pieces," and scroll down the list, and say to her self, "Oh, 'Caroline's Wake' isn't currently out in slush, is it? It should be. It's one of my best stories. I should submit it somewhere." Then I can click on the corresponding "Run Search" link to pull up a market search form already filled out with the stats for this particular story, and easily get a list of markets which accept submissions of that length, in that genre, and which I have not submitted this story to before. (That last is important. I got that last bit wrong once recently and it was so embarrassing. The rejection letter was very kind. They said they remembered the story and how much they admired it the first time they read it, but they would really like to see something else by me, pretty please.)

Anyway, that's what I did when I got home from derby. And while I didn't actually find a place to submit that story, I found a place I could submit it just as soon as they reopened to general submissions. In the meantime, they are reading for a very particular theme and format, for which one of my other stories might be a perfect fit, only first I need to trim it down to about two thirds its current length.

Which I will attempt to do tomorrow because, having fulfilled my duty vis-à-vis blogging and submissions procedures, collapsing in bed is imminent. Me and my sore, beat-up, worn-out body wish you a good night.

Lesson for today: Submitting fiction is no big deal.

With the new year I am renewing a long-term goal of mine, or ideal, that every workday will include a session of what I call submission procedures. This means tending to the business side of being a freelance author of commercial fiction, which is submitting stories to paying markets.

I successfully did this on January 1 by logging a rejection letter for a story I had submitted, then sending that story on again to another market. I successfully did this on January 2 by identifying a market I wanted to submit to, deciding on a story I wanted to submit to it, and determining to rewrite the story so that I could submit it there. (I began that rewrite today. It's currently a drabble; the rewrite will be about 1,000 words.)

I was sort of stumped as to what to do today.

I mean, I can always pull up my list of what's currently out on submission and double-check that there's been no response yet, but that's sort of busywork. I can't do that every day and call it fulfilling the spirit of my resolution. But what did I have that was ready to submit? Nothing, I thought. Everything's either out or I don't know where else to send it and maybe it should be revised or even trunked because clearly it sucks and no one wants it.

This is not a productive state of mind.

Around this point, my mouse happened to hover over the browser tab with the Codex Weekend Warrior 2018 contest discussion in it. (Codex: an online community of pro and semi-pro writers. Weekend Warrior: a high-pressure contest wherein writing prompts appear on Friday and fresh new flash fiction is due on Sunday. You can see a list of previous winners, as well as contest entries that went on to be published, here.) I'm going to be participating in that contest, and I'm kind of nervous that I just might forget to write my first contest entry this weekend, so I've been keeping that tab open.

Now, a common concern of participants is, where am I going to try to publish all these new stories I'll have written for the contest? So several people helpfully listed markets that publish flash fiction.

Reading through those lists, I felt a light-bulb go on in my brain. It's not that I don't have anything ready to submit anywhere. I have a good handful of unpublished drabbles and short-shorts. But somehow I've mentally disqualified them all as "no one wants drabbles" or "this one isn't ready to go out again" or even "this one I've earmarked for rewriting into an interactive fiction piece, so until I do that rewrite I can't send it anywhere."

I've also got this weirdly elevated idea of the very process of submitting fiction. Like, if you're going to send it, you'd better be sure it's perfect and that it's a precise fit for that market and the stars are aligned just right. I'm not sure I consciously realized I had that idea until just now, but, turns out, I do.

Hell with all that, I thought, and sent two pieces out to two different flash-publishing markets in quick succession. One's a drabble about a unicorn that no one's seen except SpeckLit, who didn't publish it (and who have closed since then anyway). The other's the dimension-hopping flash piece that I want to rewrite as interactive fiction but that's no reason for it to sit on its hands all bored and stuff waiting for me to get around to it.

So I have successfully included Submission Procedures on day 3 of 2018. And it was No Big Deal.

Regular readers of this blog will remember me making happy yet vague noises recently about having sold two stories for reprint. I was finally able to share more information about one of them Tuesday night, the publisher having given me permission that day to do so. Well, the publisher buying the other one got back to me today; therefore, this announcement:

"First Breath," originally published in Ellen Datlow's Blood and Other Cravings anthology, will be podcast in 2018 by the audio horror fiction magazine Tales to Terrify. Tales to Terrify is part of the District of Wonders Podcast Network, including also Far-Fetched Fables and the Hugo Award winning StarShipSofa. If you take a listen to any of those podcasts, I think you'll agree that the prospect of hearing my story produced by one of them next year is very exciting.

I don't know exactly when in 2018; the podcast schedule is not yet set. Once I know, I'll pass the happy knowledge on.

In local news, we're planning to hold our semi-traditional Winter Solstice Yule Log Vigil and All-Night Open House between the hours of sunset on Wednesday, December 20 (when we set the yule log on fire) and sunrise on Thursday, December 21 (when I and anyone else still around and awake will briefly cheer for the victory of the Sun after the passing of the longest night before finally falling asleep). If you are reading this and you'll be around, come on over for as long or as little as you'd like. No need to RSVP. Ping me for the address if you don't already know it.

In terms of clock time, Google tells me that sunset on the 20th will be at 4:39 PM, and that sunrise on Solstice morning will be at 7:20 AM. When I make the Facebook event page tomorrow, that's how I'll fill in the blanks for start and end times.

Considering what I've got for a yule log this year, I suspect it won't last the whole night through. But we've got plenty of other firewood to burn, so it's cool. Don't worry, Sun! We won't let the fire go out! We're here to help you get home!

I will cook some collection of yummy seasonally festive things. Potluck offerings of food and drink happily accepted but not required. The board game collection will be available. Fibercrafts will likely happen; feel free to bring yours and spin/knit/crochet along. If folks want to have a story-telling/read-aloud thing happen, that would be seasonally appropriate too. I will warm up the Rock Band set and place it at everyone's disposal. I'll have a Solstice music playlist for back-up tunes. There might even be roller derby footage watching. I mean, consider the likely majority demographic.

What there won't be is a lot of writing. I mean, not from me. Not regular workday writing. I expect I'll do enough to keep up my 4thewords streak, but for the most part Wednesday and Thursday will be holidays for me. Besides, there's no way I'm going to get a full work day in and also prepare for the party and/or sleep off the all-nighter. (Which isn't to say that, should a bunch of writers come over who were inspired to hold an impromptu write-in, I'd say no. I would definitely not say no to that.)

In some previous years, I've held out an open offer to drive carpool to Drumming Up the Sun at Red Rocks. I am emphatically not offering that this time around. I'm trying to ease my way back into this after taking a couple years off. It wouldn't do to bite off more than I could chew. But if you want to take in the most spectacular sunrise you're likely to see all year in company of a couple hundred Denver-area Pagans, that's going to be happening Thursday morning. You'll want to get to Red Rocks at least a half-hour before sunrise if you're doing that.

And that's the news, and I am outta here.

Because Aubergine of Metafilter might need a little help eating all that cake.

I had happy news of my own to share tonight, and I still do, but the news out of Alabama right now takes, um, all 40 cakes. I mean. I just. I--

(be right back.)

*Running footsteps diminishing in volume*

*Inarticulate screaming from several rooms away*

*Running footsteps getting louder until--*

OK. OK, thanks. Sorry. I'm back. I just--aaaaugh! Look. I didn't want to be glued to the hour-by-hour election results today. (For one thing, I had a cake of my own to bake.) Thanks to roller derby practice, I couldn't glue myself to the screen. So I went to practice and derby, as per usual, ate all my extraneous brain-power. (It also gave me what feel like lovely shoulder bruises which I will be very disappointed in if they don't color up by tomorrow.)

And then I came home, and I looked at my phone, and there was a text, and the text said, "Thank. Whatever Gods. That be." Or something like that.

I wrote back, "Are you telling me the good guys won?"

And the response was "YES." Just that. Just one word, and I started hyperventilating.

Y'all. Y'all! It happened. All the combined efforts of every allied organization to get out the vote--they got out the Gods damned vote! Postcards to Voters volunteers mailed a handwritten postcard to every registered Democrat household in Alabama. (I wrote 55 of them!). And what the NAACP did was huge. (Seriously. Read this twitter thread detailing their efforts. The opposition shooting themselves in their feet at every opportunity didn't hurt, but that's not a thing you can count on. GOTV! IT WORKS!

OK. OK! So. Much shadowed by this, and that's a fine thing, but: I do have happy news of my own. I have been given the go-ahead to announce that one of my September 2014 Friday Fictionettes, "What Dreams May Hatch," will appear at the podcast Toasted Cake in April of 2018. All the happy dance! This will be my second time getting to hear Tina read one of my works (here's the first). She does a beautiful job. I'm very much looking forward to it, and so, I think, should you.

I had more to say, but it can wait until tomorrow. I think I'm going to just go bask in the celebration on Metafilter and the PTV Facebook right now.

"Blackbird" came home yesterday with rejection note in hand. I sent it back out on its way again today. That's what you do. It's going to be hard to place, I know--not only is it a story with a writer protagonist, but it's a story whose writer protagonist has supernatural writing block, seriously, how pathetic is that?--but someone's gonna love this little story. So it's back out there fighting the good fight as we speak.

Meanwhile, it is that time of year again. Winter solstice is in two weeks. I picked up the fruitcake ingredients today, and I'm planning to have the Yule Log All-Nighter this time around. I haven't done it since we moved into the new place, so this'll be the first one in three years as well as the first one at the current address. I guess I'd better make sure I have batteries for all the Rock Band instruments and review how to set it up for All Play mode.

My relationship with fruitcake turned weird last year. Every year, I bake a fruitcake, and about half of it gets sliced up and mailed to friends and family, or shared around locally, while I eat most of the other half for breakfast every day until it's gone. Which generally takes 'til mid-January. But last year not everyone on my mailing list got a piece. I was too slow. I had fallen behind in other tasks, so getting fruitcake to the post office was just one more thing. And then I got injured, which seriously reduced my spoon supply. And then, probably because I also wasn't re-boozing the cheesecloth often enough, or generously enough, or something, the last quarter of the cake began to mold. Like, bread mold, that kind of mold. I have never had fruitcake mold on me before. Talk about embarrassing.

So I never got a slice out to my mother-in-law. And she was the best mother-in-law in the world, and then, without any warning, right about the time I was discovering the mold on the fruitcake, she died. And now I have this guilt-cloud hovering over the very idea of fruitcake because these were my reactions to the news:

1. Shit, was she worried? Did she think I had forgotten her? I'll never know! And I'll never be able to tell her "I'm sorry, I just got behind on things and fell out of touch, but I still love you," and that sucks, and
2. Shit, my husband and my sister-in-law are grieving the loss of their mother, and I'm sitting here feeling guilty about failing to send her fruitcake? Seriously? Way to make it all about you, Niki.

So there's feeling guilty, and then there's feeling guilty about feeling guilty, and underneath all that guilt is the just plain shock and sadness of very suddenly losing someone who was, in a very real sense, my second mom. And what with all of that, fruitcake now occupies a kind of painful place in my brain.

But I am going to make this year's fruitcake, dammit. Only I'll keep the cheesecloth well-boozed this time, and I'll get through the mailing list promptly. And everything will be fine and not painful at all, and fruitcake will go back to being a thing of comfort and joy (and booze).

And even though it's more of a Samhain thing than a Solstice thing, I'll set aside a piece for Mom Sorsha on Solstice night.

Love you. Miss you. Never gonna forget you.

So, here's the situation.

You've just discovered the existence of a literary magazine, Riddled with Arrows, that pays semi-pro rates for flash meta-fiction and meta-poems. Writing about writing. Which is totally up your alley. Seriously, that arguably describes most of what you wrote in college. So you go rifling through your manuscripts--or, rather, you do the MySQL database version of rifling through your manuscripts, which is to say,

SELECT * FROM `manuscripts` WHERE `wordcount` <= 1500

and you scan the titles until you find something suitable. To wit: a bit of light erotica involving a guy whose lover uses him as her muse. It only needs a little bit of touch-up--there are some sentences that strike you as laughable, but for the most part, it's actually a pretty good 560-word piece.

So you spend the next hour giving it that touch-up, formatting it for submission, and getting ready to send it...

...and then you realize the current submission window, with a deadline of December 10, is actually only for submissions that fit the Winter Solstice theme, "Feasts and Families." Which this story emphatically does not.

Don't you hate it when that happens?

Or is it just me?

...It's just me, isn't it?

Oh well. It's not a total loss. The story is ready to send somewhere; I just have to figure out where. And tomorrow I may just discover a manuscript in my archives that does fit the theme. Or I'll write something brand new. I can do that! A new flash piece in five days? That's demonstrably one of my superpowers!

Meanwhile, I submitted "Sidewalks" to a market that's reprint-friendly, and I spent another half-hour noodling on the new short story. Today was not, by and large, an unsuccessful day, is what I'm saying.