“A good novel tells us the truth about its hero; a bad novel tells us the truth about its author.”
G. K. Chesterton

author: Nicole J. LeBoeuf

actually writing blog

buyin' my lottery tickets
Tue 2015-10-13 23:22:34 (in context)
  • 3,330 words (if poetry, lines) long
  • 3,100 words (if poetry, lines) long
  • 2,345 words (if poetry, lines) long

Which is not, admittedly, the best analogy for submitting fiction to paying markets. It's not purely a numbers game. But it's partially a numbers game. Given a story that's publishable, as you continue sending it out to markets that are a reasonably good fit, the probability of its achieving publication approaches 1. No guarantees it'll reach 1, but it gets closer every time.

(Actually, if you want to be precise, the asymptote graph never reaches 1, but only gets infinitely closer and closer to 1. But forget that, I'm trying to sort of reference Godwin's Law and any number of internet memes that riff on it, and no one worries in that context that "approaching 1" isn't the same as "reaching 1," so shut up.)

But by far the strongest point of similarity between fiction submissions and lotteries is, you can't win if you don't play. Thus "submissions procedures" is one of the gotta-dos in my morning shift. Thus the stories go back out in the mail.

It does me no favors that most of the acceptance letters I've received have been in response to a story's first time in the mail. No one should consider that to be the norm. It's got me badly calibrated. It primes me to think that if a story accumulates two, five, fifteen rejections, then clearly it's not ready for prime time and I shouldn't even be sending it out. Which is bullshit, as any number of rejectomancy anecdotes will attest, but that's the writerly version of weasel-brain for you. It's such a seductive utterance of the weasel-brain, too, especially when the rejection letters come back so very quickly. I start getting self-conscious about particular stories--I start thinking, "Do I seriously believe an editor will want to pay me money for the opportunity to consume one of their precious story slots with this? NO ONE wants this." And also, "Why do I keep sending this story out, instead of writing new ones? Am I trying to rest on my laurels? Before they are even grown?"

That last one's a special grade of bovine feces, because I have sent new stories out. In fact, the story I've been trying to query status on is sitting in its very first slush pile as we speak. Unfortunately, the market that slush pile belongs to uses SPF filtering on their email, and apparently something's borked in my SPF record. I've got a support ticket to my domain host about it.

Weird thing is, though, the weasel-brain only has its say before I send the story out. Once I actually send the story, weasel-brain shuts up and lets me enjoy the fresh glow of "I submitted a story! Professionally! To a paying market! Just like real writers do!" Which only goes to show you that yet again, the only way out is through.

Anyway, I bought a lottery ticket today, and I bought one Thursday too. Metaphorically speaking.

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