“And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.”
Catherynne M. Valente

author: Nicole J. LeBoeuf

actually writing blog

On Predicting The Future
Tue 2006-02-07 14:23:53 (in context)
  • 50,722 words (if poetry, lines) long
  • 9.50 hrs. revised

Yes, first time hitting the novel since the wee hours of Friday night. What do I have to say for myself? Thththbbbp. "Thththbbbp" is what I've got to say for myself. What are you going to do about it, that's what I'd like to know. You don't feel you could love me but....

Eh, whatever.

Today's task: Rewrite the first real scene of the novel, in which Diane skips school, runs into Babba, and gets given the talisman. You know? It's kind of fun. I feel like I'm actually getting to make them real characters now. First draft, the arcs of the various characters' developments weren't exactly in place. All I had were echoes from their future possible perfections ringie-dinging around on the page. I get to listen for those echoes now and try to justify them. So Diane is a lot more surly in this first scene and a lot less ambivalent about hanging around with Mitch. She's irritated and she's dying for a smoke. And Babba actually has more of a consistent voice, too. I actually know who she is and where she's been this time around. In 1802, for example, she was in Tattingstone.

So I'm not done with that scene, not hardly nearly yet, but I have Other Things need working on tonight if I'm going to stay on a schedule that'll keep me from pulling some miserable all-nighters this weekend. Hurray for being on schedule!

Meanwhile, here. Have a link. Therein you'll find Miss Snark, the literary agent, addressing the question, "When should I just give up on this whole writing thing?"

When you're standing at the Pearly Gates and St. Peter is busy discussing his novel with Miss Snark.
Damn good answer. Look, we all know that there are some of us out there who will never make it. Ninety-something percent of everything is crap, and eighty-someodd percent of those producing said crap will never produce anything more than crap.

Some like to harp on this fact more than others. You'll find them on writing-related forums all over the Internet. They can often be heard pointing out signs by which one will know that one is destined to be a life-long crap producer. "Look, real writers write because they have to. If that doesn't describe you, no amount of X Words Per Day tricks will make you a writer." "If you find it so hard, maybe you ought to be doing something else." I can only presume that such doomsayers are themselves struggling or even published writers who feel threatened by the army of would-be writers hurling themselves bodily from catapults at the great stone wall standing between would-be and did-become. The doomsayers must want to discourage them from continuing the assault, out of fear that they might become competition. "Look, just stop. You'll never be a writer. Go do something easier, like law school."

And the doomsayers can just bloody well shut up, right? Because yes some would-be writers will never reach the land of did-become. Some will never get published. Some will never even finish a single story.

But you know what? It ain't our place to say who that'll be.

It's said that where there's life, there's hope. That goes for just about anything you might want to aim your life at. No amount of crap you produce today, fellow writer, can indicate for sure that you won't start spinning straw into gold tomorrow. Or the tomorrow after that. Or in thirty years. The only way to succeed is to keep trying, and the only positive indication of utter failure is to stop trying.

And even then, you might start trying again next week.

So fie upon doomsayers. You'll give up when you're dead. Until then, for as long as you love it, keep writing.

email