“...and I didn't know how it was going to end until I got there, which is the best and the worst kind of writing.”
Neil Gaiman

author: Nicole J. LeBoeuf

actually writing blog

Day 28: Plot Holes Ahoy!
Sun 2010-11-28 23:47:32 (in context)
  • 48,848 words (if poetry, lines) long

OK, so. Jet has her "there is no spoon" moment. It involves a certain amount of hyperlucid dreaming, in that she has to arrive on Earth with her awake/reality mind and memories. But it also involves a certain amount of treating Earth as part of what is real, such that she can manipulate physicality for the illusion it is.

If this all means that she can now shapeshift, pass through walls, travel in time, and bring people back to life whom she regrets having killed, why then is she powerless to stop one particular death?

...Maybe she doesn't get to bring people back to life after all. Because people aren't illusions; they're people. People are real.

That's enough Plot Putty to keep me sane until January, I guess. Unless I end up buying a different brand of Plot Putty, the following will not survive to the next draft. This excerpt is official an endangered species! Which is just as well, because it's sort of blue and red at the same time. Which is to say, purple. With Sueish overtones. Gah.

Time, of course, is an illusion. But so is death. I remember the pictures in the monitor room, that smiling boy with the missing front tooth. In an earlier dream, I killed his father. And was it really necessary after all?

In this dream, I will bring him back.

I kneel beside the body, unzip the gym bag, pull the poor man's head onto my lap. I place my right hand over his unmoving chest. Right now, in this moment, my disguise is not precisely human. A human cannot do this: lay a kiss on a corpse's brow, then pound my fist once over his heart, then hold the man tight by his shoulders as he gasps for his first breath in hours and struggles to resume his fight with the small, fierce woman who overpowered him in the doorway.

His struggles cease in a moment. "Who's there," he rasps; "who are you?"

I lean down to whisper in his ear. "It's me," I say. "I killed you, just a moment ago--no, wait, wait--but I've brought you back now. Because I was wrong. I am sorry."

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